Problem is once you normaly import your vfx renders the old fashioned way, they are not renders anymore but new source clips which you can reconform as any other clip. Makes some sort of sense as why should resolve keep track of renders. You can open the clip in a timeline (like a compoundwhich it sort of is), where you see the source clip and any grading (in my case a single rec709>linear lut) If you go into the media page and click on one of the fusion connect clips and right click, show in finder, it says that the fusion connect clip has not been rendered yet. It does not show up as missing clip, but falls back to showing the original source clip.
Result : NONE, other then know where everything was by head and put it back where it was exactly.īasicaly there is no way (besides diving in the DB, which i am about to do after this message) to know where resolve expects the rendered clips to be and you can not point it anywhere else as far as i can see. I removed my entire directory with rendered VFX versions to see what option i have in these situations to reconform. Not a showstopper but could be a nightmare from media management and re-conforming point of view. Bit like Resolve onboard Nuke Studio stuff, without the price tag -)Īnd the delivery page can act as an addendum for more tricky stuff going out, but feeding back in via the same pipeline.Īs long as you stick to the file or in case of image sequences the directory and file naming conventions, all works great.Īgain thanks for taking the time and finding it out. I do the same prep as i would when exporting a clip for an ACEC (cct/cg stuff) based worklfow and coming back in. When back in resolve add a similar linear to rec709 node on the fusion connect clip as first node and all is good. Then create the Fusion connect and render.
So if i wanted eg a linear file (instead of a baked rec709/2.4) to work with in Nuke, i add a colorspace conversion node (or LUT, which actualy worked better for yet unknown reason) from rec709 to linear.
Key step toward Nuke for me was that it bakes in any colorspace info the moment you create the Fusion Connect (in my case exr image sequence. Click to expand.Just tried it and adapted permanently my workflow to both Nuke and Mocha.
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